women reported being embarrassed to discuss their menstrual bleeding or pain with others. 2 Given that many symptoms of uterine fibroids can be confused for common menstrual period issues, it's imperative that women feel comfortable talking about these issues with their healthcare providers. Our Hey, U! campaign is a great example of our commitment in action, and we're proud to launch it today, at the start of Fibroid Awareness Month." Mitchell continued, “As a global leader in women's health, we are committed to providing physicians and their patients with resources to help identify and treat the symptoms of uterine fibroids, which are a serious problem for a large majority of women. The campaign features a dynamic digital destination, KnowYourU, where women and clinicians can access a comprehensive library of tools and resources on everything from overall uterine health to more specific fibroid-focused content.
#MAUNO KORK BADLY DIGITAL SERIES#
The focal point of the landing page is a series of animated short videos explaining the basics of uterine health, fibroid symptoms and potential solutions through accessible language and colorful visuals. “Still the noise in the mind, that is the first task." A smart, calming dose of indie existentialism, Tuning may help still the noise in yours.Additional content includes a patient symptom quiz, downloadable discussion guides and information on various fibroid treatment solutions. It’s more mature, I think – but I’ve listened to it about ten thousand fucking times so I don’t know anything about it anymore,” he laughs. “Much more carefully crafted and a lot more cohesive. “It’s a lot more pop-oriented and concise,” says Everett. On Rough Master, they strayed from twisting grunge-pop to piano ambience and string-accompanied haze, in part inspired by Niemi’s background in classical cello and prog rock.
This alchemy of crisp Faraquet-ish guitars, tumbling vocal melodies, and intense lyrical intimacy will come as no surprise to those who’ve followed the band this far.Įver since forming in September 2014, Mauno (pronounced Mao-no, and ironically named after bassist / vocalist Eliza Niemi’s completely unmusical Finnish grandfather) has had a wandering sound that refuses to be pinned down. “Anything Anymore,” written by guitarist Scott Boudreau, encapsulates this dichotomy through the balancing of light and heavy - pairing the mundane with the weight of waiting for love. From opener “Or Just”, a track “about being in a loving relationship but being unable to lose the feeling that it’s somehow unrequited,” to Niemi's slinking “Other Bad” and its meditations on falling in and out love, Tuning treads that line like a tightrope.
In the 12 months since their last release, Rough Master, the members of Mauno have found that there’s a thin line in love between joy and anxiety. “It’s a collection of reflections on the feeling of finally leaving, on the complexity of relationships, on what the end of something means,” say Mauno. There’s a raw, guttural, emotional punch to Tuning too - tales of botched romance and misdirected dreams play out above its bed of crunchy guitars and crashing cymbals. “We wanted to include little pieces of the places we’ve lived,” says Everett. Tuning is therefore threaded with field recordings captured everywhere from Mauno's home in Halifax to Berlin and Heidelberg.
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“It completely changed the way I move through the world.” The book is full of theories about the emotional attachments we form with our sonic environments. “The Soundscape changed my life,” says singer/guitarist Nick Everett. “Then everything else will follow in time.” Nova Scotia four-piece Mauno sound like they’re striving for similar clarity on their adventurous new album Tuning - a record named after the book’s subtitle, and similarly brimming with grand ideas. Murray Schafer in his defining book The Soundscape. “Still the noise in the mind, that is the first task,” wrote musicologist R.
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